Archive for the 'Commentary' Category

Businessweek Says That Refusing To Own a Cellphone So That Nobody Can Call You Isn’t Luddism; Fails to Realize That Only Luddites Make Phone Calls

Wow, Businessweek has really gone downhill since they were bought by Bloomberg. Actually, it probably started going to crap when they fired most of the talented people back in 2001 (when they were known by the much less awkward-looking moniker BusinessWeek), but I digress.

Take this article by Joel Stein (mirrored by MSNBC) which asserts that not owning a cellphone is a “power move”, because it “means that the world has to run on your time.” If you don’t have a cellphone, then nobody can call you whenever they want, an occurrence which under all circumstances will cause you to drop everything that you’re doing, right?

Getting off the mobile grid forces others to wait for you to get in touch with them. Afsheen John Radsan, 47, a professor at William Mitchell College of Law in St. Paul, Minn., was assistant general counsel at the CIA and an attorney at the Justice Dept. All sans cell. He even refused to get an answering machine until his parents installed one at his apartment behind his back. Radsan began his habit of not answering phones when he was a young lawyer at Sullivan & Cromwell. “If you were called on a Friday, it could only be a partner asking you to work over the weekend,” he remembers. “And we had caller ID. So some of the partners would call from an outside phone and say, ‘We got you!’”

Well, actually, no. This paragraph has demonstrated that it is not, in fact, a violation of general relativity for a human being to ignore a ringing phone. The rest of the article goes on to quote other people who’ve “taken control over their lives” talking about the evils of phone calls, phone calls, phone calls everywhere they go, completely ignoring the fact that cellphones can be set up to do an extraordinary gamut of things, ranging from never ringing or vibrating to sending all incoming calls directly to voicemail, while still retaining the ability to originate outgoing calls. Which, by the way, is a nice thing:

Hanya Yanagihara, 35, traveled the world as a deputy editor for Condé Nast Traveler without any portable communication device. “In India, even the yak herders and rickshaw drivers have cell phones,” she says. Occasionally, when her plans get canceled, she wishes she had one. A few weeks ago her plane schedule got scrambled and she had to tell an associate, so she borrowed a phone from a stranger on her flight. “They give you a sort of pitying look, and assume you’re lying or hitting on them,” she says of cell-phone lenders. “Then they ask for the number and carefully punch it in. They think you’re calling international. They’re very suspicious.”

Elena Kostoglodova, a senior instructor in Russian at the University of Colorado at Boulder…[says that] The only time that she was sorry not to have a mobile phone was when a teenager rammed into her car. She had to ask the kid to call the cops.

The holes in Mr. Stein’s logic aren’t only exemplified by the patent lack of self-control these “control takers” exhibit in not trusting themselves to ignore the damn phone call (save for the aforementioned guy who actually, um, does), nor to the blatant Luddism displayed by these “power brokers” in being unfamiliar with the concept of a “power button”. It’s also illustrated by the fact that only Luddites equate cellphones with making phone calls anymore.

Yes, phone calls are inconvenient, obtrusive, clumsy, and extremely undesirable under almost all circumstances. That’s why text messages were invented.

Nobody uses their cellphone to make phone calls anymore. Especially iPhone owners, because they can’t.

Admittedly, that’s hyperbolic (except for the iPhone part), but any regular cellphone user with half a brain very rarely makes or takes calls. There’s no point. Text messages work fine for 99% of conversations, and they are decidedly not obtrusive or interrupting. Sure, the phone beeps or vibrates at you when you get a new text message, but that doesn’t mean you have to look at or answer it immediately. In fact, the entire point of a text message is asynchronous, non-interrupting communication. This is what contemporary cellphones are built for; the term cellphone is a vestigial misnomer.

So, no, people who don’t own cellphones are not more in control of themselves, and are most definitely Luddites, in almost every case, especially the ones cited by this poorly-thought out article written by a Luddite.

But it was syndicated by MSNBC, so what did I expect?

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The FBI Doesn’t Think People Are Allowed To Post Pictures of its Seal on the Internet, So Let’s All Do It

Wikipedia has an article on the Federal Bureau of Investigation, much like all things that a large amount of people might desire encyclopedic information on. Naturally, because it makes sense to do so, the Wikipedia community put a picture of the FBI’s official seal in the article, just in case, you know, someone might want to know what it looked like.

So the FBI decided to send the Wikimedia Foundation a letter in which they demanded this image of the seal be removed because apparently there’s some federal law against depicting the seal of a federal agency in 18 U.S.C. § 701. Except that there isn’t.

Wikimedia’s attorney Mike Godwin (yes, that Godwin) wrote back to the FBI, informing them that:

As the leading case interpreting Section 701 points out, “The enactment of § 701 was intended to protect the public against the use of a recognizable assertion of authority with the intent to deceive.”…Our inclusion of an image of the FBI seal is in no way any evidence of “intent to deceive,” nor is it an “assertion of authority,” recognizable or otherwise.

Entertainingly, in support of your argument, you included a version of 701 in which you removed the very phrases that [pertain to deception]. While we appreciate your desire to revise the statute to reflect your expansive vision of it, the fact is that we must work with the actual language of the statute, not the aspirational version of Section 701 that you forwarded to us.

Long story short, it is perfectly okay to post a picture of the FBI seal on the Internet, as long as you’re not doing it in order to claim that you are the FBI. So I’m going to exercise my right to do so, and I encourage everyone else on the Internet to join me.

Seriously, doesn’t the FBI have anything better to do?

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Stuff Is Too Complicated; Case In Point: Music Theory

It is never, ever, ever, ever, ever a good thing for anything at all, under any circumstances, to be even one single Planck unit more complicated than absolutely necessary. Needless complexity decreases the number of people who can understand something and contribute to or use it effectively, and adds extra hoops to jump through for people who are capable of understanding it.

Take music theory, for example. The other day, I was trying to write down the chords for a song I’d accidentally banged out on the piano, and I’d hit a roadblock with one in particular.

Musical notes, as you may be aware, are represented by the letters A through G, with sharps (♯) or flats (♭) representing the notes in between the letters (except for E and F, B and C, which don’t have anything in between them). They’re arranged in a variety of scales, which are structured based on whether you jump one note (“half step”) or two (“whole step”) at a particular time, but realistically, at least with the well-known Major and Minor scales, most people just figure them out by their distinctive sounds.

So, it’s pretty easy to figure out several chords. An E Major (or just “E”) chord consists of the first, third, and fifth notes in the E Major scale, which are E, G♯, and B; E Minor is E, G, and B. Then you can throw in other notes from the scale to make things like E2 with the 2nd note, (E, F♯, G♯, B) or E7 with the 7th note (E, G♯, B, D (in 7th chords, the minor 7th is usually used because it sounds better; if you used D♯ you’d call it E Major major 7th)), or play with “suspended” chords which replace the third note with others — for example, Esus2 (E, F♯, B).

It starts to get a bit complicated as the chords get less common. For example, if you wanted to merge E2 and E7 to create an E, F♯, G♯, B, D chord, the chord is called E9. Is that because 2 + 7 = 9? No, that’s a complete coincidence. The actual reason is that this kind of chord is normally expressed E, G♯, B, D, F♯ — the F♯ is higher now, so that makes it the 9th note instead of the 2nd. However, *9 chords always include the 7th note, a concept which may not be immediately intuitive. In order to include just the 9th note with no 7th (E, G♯, B, F♯), you call the chord Eadd9. Which is totally not the same thing as E2 this time for some reason. But that’s not too difficult to figure out, at least. It may not be 100% obvious, but it sorta works.

So, anyway, about that roadblock I hit: what if you wanted to make a chord that consisted of A, C, D, and E? Well, A, C, E is an A minor chord. So if you add D, which is the 4th note in the A minor scale, it follows that the chord would be called “A minor 4″, right?

Well, no, because there’s no such thing as a 4 chord. There’s a sus4 (suspended 4) chord. But no just plain 4 chord. You can’t even say “add4″. Well, you could, but it would be wrong. A 4 chord, according to music theory, does not exist at all.

So, what’s the name of a chord consisting of A, C, D, and E? Well, that’s simple. It’s called “E7sus4♯5″, of course.

You see, E7 is E, G♯, B, D. Add a suspended 4 to that, and you replace the G♯ with an A. And since there’s no such thing as B♯, if you sharpened the B you’d jump right to C. So now you’ve got E, A, C, and D, and all you have to do is play the E on top to get the chord you’re looking for.

I mean, like, duh.

Now, that makes sense and all, except for the fact that it makes no fucking sense whatsoever. It would save so much trouble and produce a much more comprehensible-looking chord to just write “Am4″ (“m” is shorthand for Minor), but that’s not allowed, because the chord doesn’t exist.

My brother, Alex Green, explained to me exactly why this is the case:

It’s all about function. Am4 means nothing in the key of A Major.

Actually, yes, it’s true that in my particular case, the song I was writing was in the key of E Minor, so Am4 wouldn’t mean anything in the key of A Major unless I happened to be writing a song that was in the key of A Major with a random A, C, D, E chord thrown in somewhere. However, this E Minor-based song also uses chords such as “D Major”, which is, interestingly enough, not referred to as “E7add2sus4 without the E” in this particular context.

Providing to the vast majority of songwriters a logical explanation for exactly why chords such as “Am4″ do not exist would be about as useful as explaining to your 90-year-old grandmother the countless advantages of being able to make kernel modifications to your installation of Ubuntu versus the proprietary, locked-down nature of Windows, when all she wants to do is get to her email. Songwriters want to write things that sound good, and as soon as the theoretical stuff stops being in service of that goal and begins to make it needlessly harder, it only causes problems.

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I Admire Steve Jobs the Way That Teddy Roosevelt Admired Elephants

Steve Jobs is a majestic beast, and I would like to shoot him with a blunderbuss.

He is a visionary and a genius, a rebel who lets nothing and no one stand in the way of his dream of the future. If only his vision of the future were less cynical.
Continue reading ‘I Admire Steve Jobs the Way That Teddy Roosevelt Admired Elephants’

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Intellectual Property Law Has Gone Quite Far Enough and Is Now Hereby Null and Void

A court has ruled that it is legal to remove works from the public domain and put them back under copyright in the United States.

Okay. That’s it. I can’t take these ridiculous decisions anymore. I’ve been thinking this for a long time, but now I’m just gonna come out and say it:

Intellectual property law in the United States no longer serves the public, and until it has been reformed to do so, it is to be ignored.

We the people of the United States of America have the right, and duty, to disregard and oppose these unconstitutional sections of the law. They no longer serves to, as stated in Article I, Section 8, Clause 8 of the Constitution, “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” The law in its current incarnation actively impedes the Progress of Science and the Arts, and the limited Times are now so lengthy so as to be effectively unlimited. Copyright, patent, and trademark law together not only no longer matches the description in I.8.8, but it in many cases violates the First Amendment.

I believe in the necessity for there to be laws which promote the progress of science and art, and grant the creative persons responsible for such advances the exclusive right to claim a reasonable level of authorial control for a limited time. The former need is not being met by the law at all, and the latter is incidentally met in an unsatisfactory way by the current overarching and easily-abused law. But by upholding the current useful portions of the law, we validate the entirety of it.

As a citizen of the United States, I hereby declare that I do not consent to governance by Intellectual Property law, including, but not limited to, the current laws pertaining to copyrights, patents, and trademarks. I encourage the like-minded people of the United States to join me in affirming our non-consent, and continuing to do so until the law once again serves the public good as outlined in our Constitution.

In regards to my own work, I would appreciate it if the spirit of the Creative Commons licenses I release them under were respected, but please do so out of goodwill, and not out of a false sense of legal obligation to do so.

CC0
To the extent possible under law, Zacqary Adam Green has waived all copyright and related or neighboring rights to Intellectual Property Law Has Gone Quite Far Enough and Is Now Hereby Null and Void and the header image preceding it. This work is published from the United States. Not that any of this matters as of this writing, of course, because copyright is null and void; I’m just saying this for when one day it’s valid again.

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