Tag Archive for 'your face is a saxophone'

Update on Your Face is a Saxophone Delays

So here’s what still needs to get done for Episode 3:

  • Rerecord some of Dave Lanz’s dialogue for Blake
  • Record a few lines with Mike Luiso for Shaun the Intern
  • Start animating

It’s that last one which is really bothering me. Continue reading ‘Update on Your Face is a Saxophone Delays’

    Whatever Happened to Surrealism?

    The Conqueror by René Magritte
    I’m a Magritte fan. In fact, the name and mascot of Plankhead was inspired by his 1926 painting The Conqueror. This, in turn, inspired my fascination with people with inanimate objects instead of heads, which I first explored in this clip about Nintendo and continued at length with Your Face is a Saxophone. (Incidentally, Magritte worked in advertising)

    The surrealist movement focused predominantly on letting out all of the absurd, crazy thoughts in your mind. The result was a slew of bizarre, dream-like art, fascinating and highly entertaining. But after than the 1960s, other than a few David Lynch films here and there, surrealism seemed to disappear from the public consciousness.

    But now it’s back.

    When I was in high school obsessing over surrealism, I wondered why it wasn’t a speculative fiction genre right alongside sci-fi and fantasy. Unbeknownst to me, a lot of people were wondering the same thing at the same time, and started writing bizarro fiction. Weird books that are weird for the sake of being weird. It’s wonderful stuff.

    While I’m not sure if it was influenced by bizarro fiction, Ugly Americans is probably one of the first truly bizarro shows on television.It depicts a world where humans, zombies, demons, wizards, koala-people, robots, floating-brain-things, and pretty much anything else the writers decide to come up with coexist (semi-)peacefully in modern-day New York City.

    Lightbulb people in Ugly Americans

    Also, it seems to be on some of the same wavelengths as Your Face is a Saxophone. (From Season 2 Episode 13)


    I’d say seeing the weird juxtaposed with the familiar — with all of the characters regarding as completely normal — is as close to a trope that the bizarro genre can ever get.

    Meanwhile, Dadaism — the inbred father/sister of the Surrealist movement — is seeing a resurgence as well. See, Dadaism was about doing stuff like turning a urinal upside down, signing it, and declaring it to be a sculpture. Now have a look at this:

    That’s kind of Dada, isn’t it?

      Writing Egotistical Asshat Characters From Life Experience


      They say you should write what you know. Well, I do.

      Last year, I posted a script excerpt from the upcoming second episode of Your Face is a Saxophone. This bit of the script shows off the evolution of Andrew’s character since I wrote the first episode; an evolution which is, for the most part, a careen in the exact same direction.

      There’s a very specific reason that I didn’t merely stick to Andrew’s character, but rather turned it up to 11. Shortly after the first episode of Your Face is a Saxophone debuted, my life imitated my art.

      In Episode 3, Andrew will make this rant, which is I swear to god almost verbatim something that the person I’m about to tell you about said to me. I can’t make this shit up:

      I met a guy — let’s call him Deuce Shmagner, because I’m not looking to call him out by his real name, tempting as it may be — who was running a small, in-person Bitcoin exchange. Continue reading ‘Writing Egotistical Asshat Characters From Life Experience’

        Press Release: Plankhead Experiences 0% Piracy Rate Thanks To CC0 Anti-Piracy Technology

        Syosset, New York — April 1, 2012 — Plankhead announced today that their animated series, Your Face is a Saxophone, has sustained a 0% rate of illegal downloads since its debut last year. The group attributes this astronomical success to their use of CC0, an anti-piracy technology produced by the San Francisco, California-based organization Creative Commons (CC).
        Continue reading ‘Press Release: Plankhead Experiences 0% Piracy Rate Thanks To CC0 Anti-Piracy Technology’

          Why We Do “Product Placement” in Your Face is a Saxophone


          At a screening of Your Face is a Saxophone Episode 2 last weekend, someone asked me why we had product placement for Lay’s potato chips. He suggested that we use a fake brand name that evokes the same product. This isn’t the first time I’ve had someone bring this up to me — why we litter real brand names and logos all over the place, instead of showing “Zony” TV sets and “Croaka Cola” — so I figured I’d address it once and for all.

          The common practice of using fake brand names is to avoid claims of trademark infringement. Production companies will go to great lengths to create fictional products to show on-screen because they fear a lawsuit from the trademark holder. This is because trademark holders will go to great lengths to sue every unapproved appearance of their logo on anything because they fear losing their trademark. Trademark law requires holders to maintain control over their marks, which generally results in them go completely overboard about it.

          This cycle of fear results in the censorship of reality. Part of what we’re trying to do with Your Face is a Saxophone is to vehemently point out how pervasive branding, commercialization, and consumerism actually are in our world. We casually refer to “drinking a Coke”, “buying an iPhone”, and “checking Facebook” in everyday conversation. We’re surrounded by our electronics from Audiovox, LG, Sony, and Antec; our office supplies from Scotch, 3M, Bic, and Sharpie; our Kraft macaroni, our Heineken beer, our Hershey’s candy, and our Mott’s fruit. This is what the real world looks like, people.

          But the moment we start populating our real-world settings with bizarro-world brands, the impact is gone. We’re no longer satirizing the real world, we’re escaping from it. Perhaps we’re vaguely commenting on the concept of hyper-commercialization in general, but the unreality of drinking a Doke while using a Pineapple uPhone to check on Friendbook neuters it entirely.

          I’m chiefly referring to the incidental use of brands there. There are certainly examples of fictional brand names being used to great effect in satire, without lessening the impact very much at all.
          So, in Your Face is a Saxophone, I suppose we could structure our plots not around Pepsi, but around Schwepsi; not around Miller Lite beer, but around Schmiller Lite. But it’s those little things in the background — the Apple computers, the Lay’s potato chips on the receptionist’s head, the Motorola/Verizon logos on Leora’s phone — that we can’t ignore. We’re not going to let fear of a trademark claim (which we’d have a very strong fair use argument against) stop us from pointing out that in the real world, real brands and real logos surround us everywhere we go.

          Perhaps it’s jarring that all of the characters are decidedly bizarro-world — nobody in the real world has a light bulb for a head — but the brands and logos aren’t. Good. We want you to notice the brands. That’s the point.

          In Your Face is a Saxophone, we refuse to make up fake companies* to make fun of. If we want to make fun of Pepsi, then dammit, we’re going to make fun of Pepsi.

          *Yes, there was Sqwoogy in the first episode. Sqwoogy was not a parody of Twitter, it was a parody of Silicon Valley startup culture and all of the dumbassery that stems from it.