Tag Archive for 'stupid copyright tricks'

Press Release: Plankhead Experiences 0% Piracy Rate Thanks To CC0 Anti-Piracy Technology

Syosset, New York — April 1, 2012 — Plankhead announced today that their animated series, Your Face is a Saxophone, has sustained a 0% rate of illegal downloads since its debut last year. The group attributes this astronomical success to their use of CC0, an anti-piracy technology produced by the San Francisco, California-based organization Creative Commons (CC).
Continue reading ‘Press Release: Plankhead Experiences 0% Piracy Rate Thanks To CC0 Anti-Piracy Technology’

    What the Hell is Going On With Plankhead.com’s Copyright Notice?


    To anyone with a passing knowledge of copyright, Creative Commons, and The Pirate Bay, the new footer for this website is probably extremely confusing.

    First, we have the Kopimi symbol, which is Piratbyrån‘s opposite-of-copyright symbol (i.e. you’re allowed to copy this, in fact please do so). This is then immediately followed by the word “Copyright”. And then to further muck things up, a Creative Commons notice.

    What? Cognitive dissonance? In my Internets?

    Actually, no. This is all easily explained by the third line: “This notice is not an endorsement of intellectual property law.”

    You see, I would love it if I could just slap the Kopimi symbol up there and free everything you see here from the prison of copyright just like that. Unfortunately, that’s not how copyright works.

    Wikipedia says “Kopimi is similar to the CC0 license created by Creative Commons.” This is inaccurate, and I’d change it if there were a source for me to cite (Which, since I’ve posted this, now there is, but it would look really bad if I changed it myself, so somebody else should go do it). You see, CC0 contains legal language which, to the extent possible under law, legally releases the work in question into the public domain. Kopimi, on the other hand, is a picture, a word, and a not particularly well-explained website. It is not legally binding.

    Perhaps this is exactly what Piratbyrån intended: who cares that it’s not legally binding, because we ignore copyright law anyway. I agree with that sentiment. However, I also acknowledge the reality that not everyone is Piratbyrån. Some people would refuse to make use of a free work if it’s still, legally, under traditional copyright. So I need to add some fine print, for their sake.

    Thus, first I add the traditional copyright notice, including the internationally recognized word “Copyright”. This is because, for better or for worse, Plankhead does hold copyright on everything here. I don’t have a choice in the matter. That’s the law.

    However, instead of saying All Rights Reserved, the next line is a declaration of Creative Commons licensing. Why the Attribution license, and not the aforementioned CC0? Because plagiarism is bad. If there’s any reason why some kind of copyright-ish law should exist, it would be to protect against that.

    Of course, I’m not really sure that the legal system should be used to prevent plagiarism. But, again, the people I’m writing this fine print for care about what’s legal and what’s not, so I might as well throw that in there. If you’re a free-spirited pirate, you’re ignoring everything after the big pyramid with the K, anyway.

    Speaking of which, why am I using the Kopimi symbol instead of the perfectly good Creative Commons logos? Because to the people who don’t understand copyright law, and don’t read the fine print, Creative Commons has a branding problem. Says Nina Paley:

    “Creative Commons” means “Non-Commercial” to most people. Fighting it is a sisyphean task. So I’m stuck with a branding problem. As long as I use any Creative Commons license, most people will think it prohibits commercial use.

    Kopimi, on the other hand, is a brand without connotations to most people. We have the opportunity to establish it as a “do whatever the hell you want” symbol, because that is, in fact, what it is.

    So that’s what’s going on with our copyright notice. The legal language is a necessary evil, but unless you’re a lawyer, ignore it all and do whatever you want. As long as you don’t try to pass off something from Plankhead as your own, it’s all good.

      Intellectual Property Law Has Gone Quite Far Enough and Is Now Hereby Null and Void

      A court has ruled that it is legal to remove works from the public domain and put them back under copyright in the United States.

      Okay. That’s it. I can’t take these ridiculous decisions anymore. I’ve been thinking this for a long time, but now I’m just gonna come out and say it:

      Intellectual property law in the United States no longer serves the public, and until it has been reformed to do so, it is to be ignored.

      We the people of the United States of America have the right, and duty, to disregard and oppose these unconstitutional sections of the law. They no longer serves to, as stated in Article I, Section 8, Clause 8 of the Constitution, “promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” The law in its current incarnation actively impedes the Progress of Science and the Arts, and the limited Times are now so lengthy so as to be effectively unlimited. Copyright, patent, and trademark law together not only no longer matches the description in I.8.8, but it in many cases violates the First Amendment.

      I believe in the necessity for there to be laws which promote the progress of science and art, and grant the creative persons responsible for such advances the exclusive right to claim a reasonable level of authorial control for a limited time. The former need is not being met by the law at all, and the latter is incidentally met in an unsatisfactory way by the current overarching and easily-abused law. But by upholding the current useful portions of the law, we validate the entirety of it.

      As a citizen of the United States, I hereby declare that I do not consent to governance by Intellectual Property law, including, but not limited to, the current laws pertaining to copyrights, patents, and trademarks. I encourage the like-minded people of the United States to join me in affirming our non-consent, and continuing to do so until the law once again serves the public good as outlined in our Constitution.

      In regards to my own work, I would appreciate it if the spirit of the Creative Commons licenses I release them under were respected, but please do so out of goodwill, and not out of a false sense of legal obligation to do so.

      CC0
      To the extent possible under law, Zacqary Adam Green has waived all copyright and related or neighboring rights to Intellectual Property Law Has Gone Quite Far Enough and Is Now Hereby Null and Void and the header image preceding it. This work is published from the United States. Not that any of this matters as of this writing, of course, because copyright is null and void; I’m just saying this for when one day it’s valid again.

        “Hitler Reacts to the Hitler Parodies Being Removed From YouTube” Is Now Public Domain

        If you go watch my Hitler video on YouTube, you will now see an annotation stating that I have waived all copyright to it, with the help of Creative CommonsCC0 language. It is now in the public domain.

        That doesn’t mean anyone can just go around claiming ownership of it though. It means that nobody owns it. It belongs to everybody now. Go do whatever you want with it. I’d appreciate it if you give me credit for it, but that’s by no means required.

        Anyway, to make this absolutely, positively clear:

        CC0
        To the extent possible under law, Zacqary Adam Green has waived all copyright and related or neighboring rights to Hitler reacts to the Hitler parodies being removed from YouTube. This work is published from the United States.

        There. Enjoy your gift, world. Merry Kwanzaa or whatever.

          Hitler Reacts to Downfall Distributor Having Hitler Parodies Removed From YouTube

          The Electronic Frontier Foundation reports:

          One the most enduring (and consistently entertaining) Internet memes of the past few years has been remixes of the bunker scene from the German film, The Downfall: Hitler and the End of the Third Reich (aka Der Untergang). [...] In a depressing twist, these remixes are reportedly disappearing from YouTube, thanks to Constantin Film (the movie’s producer and distributor) and YouTube’s censorship-friendly automated filtering system, Content I.D. Because the Content I.D. filter permits a copyright owner to disable any video that contains its copyrighted content — whether or not that video contains other elements that make the use a noninfringing fair use — a content owner can take down a broad swath of fair uses with the flick of a switch. It seems that’s exactly what Constantin Film has chosen to do.

          Oliver Hirschbiegel, the film’s director, does not condone this. He says, “”Someone sends me the links every time there’s a new one. I think I’ve seen about 145 of them! Many times the lines are so funny, I laugh out loud, and I’m laughing about the scene that I staged myself! You couldn’t get a better compliment as a director. I think it’s only fair if now it’s taken as part of our history, and used for whatever purposes people like.”

          You know who else isn’t happy about it? Hitler.

          Someone had to do it, so I did:



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