My friend Evan, who regularly teaches me how to suck less at playing the piano, played me this thing his friend did in college. It is amazing.
It’s Nine Inch Nails’ “Closer” performed in the style of the early Beatles.
Listen to it and love it.
(Music is Copyright © 2008 Blake Reynolds)
TorrentFreak reports that the chief spokesperson for the RIAA has gone on record saying that DRM is dead:
Jonathan Lamy, chief spokesperson for the RIAA declared DRM dead, when he was asked about the RIAA’s view on DRM for an upcoming SCMagazine article. “DRM is dead, isn’t it?” Lamy said, referring to the DRM-less iTunes store and other online outfits that now offer music without restrictions.
DRM, which advocates claim is an acronym for “Digital Rights Management,” stands for Digital Rights Manufacturing, and refers to a number of technological methods by which media companies can manufacture legal rights for themselves out of thin air. These synthetic rights allow the gigantic corporation to prevent a legitimate buyer of a song, movie, video game, or other piece of media from doing anything particularly useful with it. It has been used by music distributors throughout the 00s as a sales reducer.
The RIAA, or Retrospectively Irrelevant Association of America, has long championed the use of DRM on music, asserting that la la la la la, I can’t hear you, la la la la la. The sudden change in attitude has so far caused 40 deaths and 900 injuries worldwide related to high-decibel emissions of “wait, what?”
Update: Actually, no, they didn’t. They just said it’s not on iTunes and stuff anymore, so that means something. Oh well.
Gratuitous picture of Matthew Ebel's FACE.
I’d heard of Mr. Ebel before, having encountered a song he did back in 2001 called “In the MUCK” (MP3). It’s about how the real world is annoying, so let’s all turn ourselves into furry animals because that’s more fun (specifically on FurryMUCK, but subtly enough so that people who have never heard of or joined it can relate to the song. I loved the song, but for some ridiculous reason I’d never bothered to do more research into him. Until now.
Despite being active in the furry community as an osprey (you see, even though ospreys have feathers, we still say they’re “furries” with “fursonas,” because “featheries” wouldn’t imply the same group, and “anthropomorphic animal enthusiasts” is too long, and oh whatever), most of Ebel’s music isn’t as overtly animalistic, but that’s probably a good thing because having to throw in an obligatory animal reference in every song would get old. All of it is just as catchy and awesome, with a style that’s like Jonathan Coulton meets Dangerous Kid and hints of Banooba; comparing him to a signed artist would be so corporate and anti-indie of me, as well as less accurate, but let’s say Jack’s Mannequin with some Ben Folds-y wit if you insist. And he’s awesome.
I got his latest album, Goodbye Planet Earth, which mixes in a good deal of electronic stuff and Hitchhiker’s Guide references. The second track, “I Just Want To Fall In Love” (MP3) is ridiculously catchy and will not get out of my head. Gahhhh. =D
He’s also taken a page from Jonathan Coulton and written a song based on one of Valve’s games (although his effort wasn’t actually commissioned by Valve for use during their end credits), a Team Fortress 2-inspired song called “I Blame The Spy”. As of this writing, unfortunately, the full version of the song is only available to people who subscribe to his premium music. Kind of an odd decision given that he could get several zillion new fans if video game blogs pointed towards it, something they’d be more likely to do if the whole song were free. Matthew, I know you’ll read this eventually because you follow me on Twitter, so fix that.
But all in all, you want Matthew Ebel in your ears. He gives very good aural pleasure.
Copyright © 2009-2010 Zacqary Adam Green
Licensed under Creative Commons BY-SA 3.0
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No, Indie Musicians, You Do Not “Deserve” To Be Paid For Your Work
Every time I see some down-on-his-luck independent musician ranting about how nobody wants to pay for music anymore, and how it’s hurting their livelihood as well as the labels, and why are people such cheap bastards who won’t pay me, and blah blah blah, it makes me very angry.
Yeah, I feel your pain, guys. People don’t pay for movies anymore either, and if they did I’d have a clear-cut business plan that anyone could understand, and I’d be rolling in investment money by now and going full speed ahead on a bajillion-dollar live-action-CGI-blend-extravaganza about space pirates or something. But that’s just not the way the world works anymore.
Now, I understand the need for a coping mechanism. Blame the cheap bastards who just want to download all of your hard work that you worked so hard on for weeks and months and years. Maybe they’ve got a point when they say the big record companies shouldn’t keep making money, but you, nooooo, you’re indie! You make less money than a part-time fry cook at McDonald’s, and if people steal from you, then they’re bad, bad people! You deserve to be paid for your hard work!
No you don’t. You’re indulging in your own creative vision; nobody asked you to, and you’re not providing a service to anybody. You are creating all the pretty music in your head because you feel like it, and you are not inherently entitled to anybody’s appreciation and certainly not monetary compensation.
If you’re good, though, and people like your music, then you don’t have to tell them that you deserve to be paid for it, because they know. They’re your fans now, and they’d love to throw money at you.
So, I’m sorry to break it to you, impoverished indie musician, but if you’re not making money from your music, then you’re either not good enough or you haven’t put a god damn PayPal button on your website.
Slash rant.