Subtitling on YouTube — Now Deaf People Can Giggle At My Videos Too

YouTube still doesn’t have nearly the audiovisual quality and presentation of Vimeo, but I gotta hand it to them for providing some fairly awesome features.

I know they’ve had closed-captioning and subtitling features for a while, but I never bothered to try it out until now. I suppose if I don’t do the subtitling now, it’ll soon be done for me by Google’s speech recognition robots, and done very badly.

So here’s “Let’s Meet the Lerners” with full closed-captioning. Click the arrow in the control-bar-thingy, then the “CC” button to turn it on. And if anyone reading this is fluent in another language and wants to translate it, download this .srt file, open it in Notepad on Windows or TextEdit on Mac OS X (if you’re savvy enough to use Linux, I probably don’t need to tell you what your text editor is called), and rewrite all of the texty things while leaving the numbers intact. Then send it to me, of course.

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According to Netflix, Paul Blart: Mall Cop is a “Suspenseful Movie”

Image of "Paul Blart" listed under "Suspenseful Movies"

That is all.

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Why a World In Which Movie Piracy Were Legal Would Have No Drawbacks Whatsoever

Why a World In Which Movie Piracy Were Legal Would Have No Drawbacks Whatsoever — Average US movie ticket price: $7.50; Time the decision to pay this price is made: Before the movie; Total US gross of Transformers: Revenge of the Fallen: $402,111,870; How much money would it have made if the decision to pay $7.50 were made AFTER the movie? See? No drawbacks.

Sources:
» Ticket Price
» Gross

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Your Face Is Still a Saxophone, But Not Until April

So it seems Your Face is a Saxophone is taking me a lot longer than I originally anticipated.

There have been a great deal of technical issues preventing me from working as quickly as I’d thought I would be able to. These issues, however, are in no way insurmountable, just really, really annoying. Expect to know more in March, and see the final product in April.

For now, here’s a still image of something or other happening:

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No, Indie Musicians, You Do Not “Deserve” To Be Paid For Your Work

Justin Timberlake - Cry Me a River Album Art
Every time I see some down-on-his-luck independent musician ranting about how nobody wants to pay for music anymore, and how it’s hurting their livelihood as well as the labels, and why are people such cheap bastards who won’t pay me, and blah blah blah, it makes me very angry.

Yeah, I feel your pain, guys. People don’t pay for movies anymore either, and if they did I’d have a clear-cut business plan that anyone could understand, and I’d be rolling in investment money by now and going full speed ahead on a bajillion-dollar live-action-CGI-blend-extravaganza about space pirates or something. But that’s just not the way the world works anymore.

Now, I understand the need for a coping mechanism. Blame the cheap bastards who just want to download all of your hard work that you worked so hard on for weeks and months and years. Maybe they’ve got a point when they say the big record companies shouldn’t keep making money, but you, nooooo, you’re indie! You make less money than a part-time fry cook at McDonald’s, and if people steal from you, then they’re bad, bad people! You deserve to be paid for your hard work!

No you don’t. You’re indulging in your own creative vision; nobody asked you to, and you’re not providing a service to anybody. You are creating all the pretty music in your head because you feel like it, and you are not inherently entitled to anybody’s appreciation and certainly not monetary compensation.

If you’re good, though, and people like your music, then you don’t have to tell them that you deserve to be paid for it, because they know. They’re your fans now, and they’d love to throw money at you.

So, I’m sorry to break it to you, impoverished indie musician, but if you’re not making money from your music, then you’re either not good enough or you haven’t put a god damn PayPal button on your website.

Slash rant.

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