Monthly Archive for August, 2011

Let’s Talk About Steve Jobs, Because Everyone Else Is

I told myself that I wasn’t going to comment on the latest Steve-job that humanity as a whole is giving itself. Sadly, I was unable to resist. Hence, my latest post on Falkvinge on Infopolicy.

I, like every single freaking person on the planet, have an about Steve Jobs, and the things he has done in his life. I’m not going to share it with you right now, because it doesn’t matter. It doesn’t matter at all.

When most people blabber about Steve Jobs, they’re rarely flapping their lips about him, personally. After all, most people in the world don’t actually know Steve Jobs, nor have they ever even met him in passing. The things about which most people yammer are the effects and consequences of Apple, Inc.’s product releases and business practices.
[...]
It’s those trends and issues that matter. But the fact that Apple, specifically, was the company to catalyze all of them doesn’t. And it especially doesn’t matter that His Holiness Dalai Lama Steve Motherfucking Jobs happened to be the CEO and founder of the company that did all of these things.

Continue reading at Falkvinge on Infopolicy

    YFIAS Episode 2 On Track for Late October/Early November

    Principal animation of Your Face is a Saxophone Episode 2 is almost halfway finished. My lovely assistant, Erica Frohnhoefer, had to go back to college this week, so I’ll be on my own from here on. But I’ve got a good bit of momentum going, and the episode should be online by the end of October, or the beginning of November at the latest.

    Just wanted to post this since things have been quiet for a while. I haven’t had as much time to produce video diaries as I’d have liked, but a few weeks ago David Lanz was down on Long Island shooting some footage of us working, so there’s some material ready to be edited into one as soon as I get the opportunity.

    I’ll be taking a bit of a break from animation from August 28th to September 3rd, as I’ll be in Washington, DC helping to document the Keystone XL tar sands pipeline protest. It’s okay, though, because it’s for the environment and stuff.

    UPDATE: Actually, I won’t be in Washington. Hurricane Irene screwed up my travel plans.

      Chad Love-Liberman’s Art4Love is a Fraudulent Plagiarism Peddler

      In case I haven’t made it clear over the years, I’m not a big fan of the copyright-lawsuit model of enforcing artists’ rights. When somebody decides to be a dick and exploit the free availability of culture in bad faith, I feel like it’s much better to try them in the court of public opinion than in a court of law. So let’s do that to Chad Love-Lieberman.

      Art4Love.com seems to have been around since March 2010, according to the first tweet on its Twitter account. It’s a store claiming to sell hand-painted canvas art, founded by Love-Lieberman as some kind of social capitalism thing. I have no idea; it’s a press release.

      Art4Love and the related MarkYourSpot.com appear to have been taken down as of this writing. So let’s Streisand Effect this shit.

      Yesterday, Digger artist Ursula Vernon posted on her LiveJournal a link to an article about Love-Lieberman and his “artwork”. She found it odd that this piece was attributed to him:

      'Naked Mole Rat Dreams' by Ursula Vernon

      It is, of course, by Ursula Vernon. And all of the other pieces in the article are by other artists from around the Internet as well.

      Unsurprisingly, as uncovered by Tumblr user Kittenball, Art4Love was similarly fraudulent.

      Screenshot of Art4Love.com, captured by Daunt


      This screenshot shows Art4Love allegedly selling “Honeycomb” by Julie Dillon. They claim that it’s “Liquid Oil on canvas”, and was painted in 2009.

      'Honeycomb' by Julie Dillon


      This seems odd, considering the fact that Dillon uploaded the piece to deviantART in 2010, under the category of “Digital Art”.

      Hilariously, Art4Love was offering the “painting” with a Certificate of Authenticity.

      Tumblr user Daunt has many more screenshots and videos related to Art4Love on her website. Many show more examples of misappropriated artwork, being sold as “original” for high prices.

      It’s likely that Chad Love-Lieberman took down his network of websites because he doesn’t want this information getting out. This is precisely why it must. The threat of a copyright lawsuit does not protect the rights of artists to attribution and reputation; otherwise this never would have happened. The exposure of such exploitation on a massive scale is the best hope that artists have to be protected from it. Please, Internets: spread the fraud of Chad Love-Lieberman as far and wide as you can. Make his name synonymous with his crimes, so that anyone looking to commit such things in the future will think twice.

      To the artists affected: don’t call this man an “art thief”. Art thieves are skilled, savvy professionals who bypass state-of-the-art museum security. Chad Love-Lieberman is just a plagiarist. And a dick.

        Is Representative Democracy Sustainable?


        My latest post for Falkvinge on Infopolicy, discussing whether a system in which people elect politicians to do stuff for them — rather than just doing it themselves — can really last.

        Unrest is brewing in republics worldwide. As nations are ravaged by socioeconomic crises, the people no longer feel served by their elected officials. Is this a temporary hiccup, or an inevitable result of traditional representative democracy?

        [...]
        Corporatocracy in the US and out-of-touch reactions to social inequality in Europe are just symptoms of the real problem. How did it get to this point? Why don’t the people stop things like this before they happen?

        Disconnection.

        Continue reading at Falkvinge on Infopolicy