Monthly Archive for April, 2009

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Matthew Ebel: You Want Him In Your Ears

Gratuitous picture of Matthew Ebel's FACE.

Gratuitous picture of Matthew Ebel's FACE.

Last night our furiends at FurAffinity hosted a live stream of a Matthew Ebel concert, where by “hosted” I mean they embedded the Ustream video, and by “concert” I mean Matthew standing in his living room with a camera pointed at his piano. Either way, I went to check it out, though I ended up watching it on the Ustream page instead because it had a chat channel. It turned me on to one of the most awesome singer/songwriters currently in the underground indietubes.

I’d heard of Mr. Ebel before, having encountered a song he did back in 2001 called “In the MUCK” (MP3). It’s about how the real world is annoying, so let’s all turn ourselves into furry animals because that’s more fun (specifically on FurryMUCK, but subtly enough so that people who have never heard of or joined it can relate to the song. I loved the song, but for some ridiculous reason I’d never bothered to do more research into him. Until now.

Despite being active in the furry community as an osprey (you see, even though ospreys have feathers, we still say they’re “furries” with “fursonas,” because “featheries” wouldn’t imply the same group, and “anthropomorphic animal enthusiasts” is too long, and oh whatever), most of Ebel’s music isn’t as overtly animalistic, but that’s probably a good thing because having to throw in an obligatory animal reference in every song would get old. All of it is just as catchy and awesome, with a style that’s like Jonathan Coulton meets Dangerous Kid and hints of Banooba; comparing him to a signed artist would be so corporate and anti-indie of me, as well as less accurate, but let’s say Jack’s Mannequin with some Ben Folds-y wit if you insist. And he’s awesome.

I got his latest album, Goodbye Planet Earth, which mixes in a good deal of electronic stuff and Hitchhiker’s Guide references. The second track, “I Just Want To Fall In Love” (MP3) is ridiculously catchy and will not get out of my head. Gahhhh. =D

He’s also taken a page from Jonathan Coulton and written a song based on one of Valve‘s games (although his effort wasn’t actually commissioned by Valve for use during their end credits), a Team Fortress 2-inspired song called “I Blame The Spy”. As of this writing, unfortunately, the full version of the song is only available to people who subscribe to his premium music. Kind of an odd decision given that he could get several zillion new fans if video game blogs pointed towards it, something they’d be more likely to do if the whole song were free. Matthew, I know you’ll read this eventually because you follow me on Twitter, so fix that.

But all in all, you want Matthew Ebel in your ears. He gives very good aural pleasure.

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Ever Edited Wikipedia? Help It Get Free-er.

Our friends at Creative Commons have informed the Internets that there’s a very important vote being called at Wikipedia. It’s about licensing Wikipedia under Creative Commons.

This is very important, even if you’re not up on the whole free culture commons creativity stuff, and I will explain why. Currently, Wikipedia is licensed under something called the GFDL, which stands for “GNU Free Documentation License”, where GNU stands for “GNU’s Not Unix”, and GNU stands for “GNU’s Not Unix”, and GNU stands for “GNU’s Not Unix.” Ridiculous nomenclature notwithstanding, this license is intended for “free” documents, which can be distributed and reproduced freely. However, it has quite a few quirks which allow it to work very well for software manuals, and not very well for Wikipedia.

When I started Wikipedia, Creative Commons did not exist,” says Jimmy Wales, Wikipedia’s founder, and the GFDL was the only thing around back then which seemed like it worked. But it doesn’t. Wikipedian David Gerard notes that, “Even cutting and pasting text between two Wikipedia articles is technically a violation unless the full author list for that piece of text is attached. This is not workable on a wiki.” The Wikimedia Foundation hasn’t been enforcing some of these troublesome rules, but the fact that it’s part of the license is, legally, not great.

So, in other words, Wikipedia needs to switch to a better license, and they’ve found it in CC-BY-SA. Wikimedia, the Free Software Foundation (maintainers of the GFDL), and Creative Commons have all worked together to make it legally possible, under the latest GFDL, for wikis (such as Wikipedia) to switch to CC-BY-SA. Yes, even the GFDL’s creators want Wikipedia to drop it. All that’s left is you.

Yes, you.

Wikipedia is ridiculously democratic, considering it’s by EVERYONE, so the license change isn’t going through unless the majority agrees that it should happen. Which you should. Otherwise you hate America. And kittens.

Now, the title of this post is a bit misleading, because technically this vote is only open to people who have made 25 edits or more to Wikipedia before March 15th of this year. However, every time you fixed a typo or something counts, so if you’ve ever clicked “edit this page” on Wikipedia and actually pressed the “submit” button when you’re done, just log into Wikipedia and go to the voting page to see if you’re eligible. If you are, please vote yes.

Go vote here in case you didn’t catch the link on the last paragraph. Also, here’s another link to the vote page.

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Pirate Bay Founders Found Guilty. Of Something. They’re Pretty Sure.

This article was written by Thilus and originally posted on his LiveJournal. It is being reposted here, almost verbatim (with some minor grammatical changes), at his open request. While these are not my words and I don’t share some of his anecdotal experiences, I couldn’t have said any of this better myself.

So we finally have an official verdict in the first round of prosecution against The Pirate Bay, or rather the four brave souls willing to play the part of human shields over it.

All four defendants were accused of ‘assisting in making copyright content available’. Peter Sunde: Guilty. Fredrik Neij: Guilty. Gottfrid Svartholm: Guilty. Carl Lundström: Guilty. The four receive 1 year in jail each and fines totaling $3,620,000.

“Assisting in making copyright content available.” What the hell? I was doing that myself when I was fourteen, from the cheap computer in my family’s dining room over a free modem connection. Congratulations, authorities: you’ve succeeded, after all this pomp and circumstance, in royally screwing up the lives of four industrious people with the same charge you would have used to convict me at fourteen for sharing scanned comic books over AOL.

Me, or anyone else, really. It’s the vague and pervasive wording on this that really bothers me. Find me someone in modern society who isn’t guilty of “assisting in making copyrighted material available.” Go on, I challenge you. Yes, your IPhone counts as entrapment. So does your TiVo, your PC, your XBox, and probably a fax machine.

Over a million dollars in fines each and one year in jail. I doubt the money will even be a problem in a case like this… it’ll come form somewhere, these guys aren’t stupid and they’ve had a long time to prepare. And jail time is supposed to accomplish what, exactly? Do I even need to go into how utterly backwards and counterproductive that is? No matter what kind of prison circumstances these guys end up in (I really have no idea, either), it’s supposed to what, give them a year in which to build even more hate for the system and plan what they’re going to do when they get out? Or give them a year to turn into paranoid, survivalist animals? No matter how I look at it, this counts as complete bullshit.

If nothing else, these guys are obviously damned good at what they do, and not likely to appreciate being dicked so hard by The Man. Why not throw them a bone instead and put them to some sort of positive community service. Heal the breach a little, don’t make it worse, you fucking idiots. Cops everywhere are all the same, root out the evil and all that’s left will be sunshine and rainbows. Bullshit. Black and white thinking only means that eventually something purple will appear and run your colorblind ass over because you couldn’t see it.
Continue reading ‘Pirate Bay Founders Found Guilty. Of Something. They’re Pretty Sure.’

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In Case Of Emergency, Break Continuity

I’ve been having an extended panic attack for a couple weeks now. It started when I looked at the footage for Bright Black.

There were lights and crew members in some of the shots, but that’s what CGI is for. There wasn’t nearly as much frenetic camera movement as I wanted, but that could be simulated in post. The problem was that in our rush to get Jesse Pieper’s shots done the first night (he couldn’t make it back the next day), we forgot all of the establishing shots of the thugs.

There is literally zero footage of the thugs not looking in Jarod Bright’s direction. Therefore, there are no shots that would be usable before the Interrogator gets killed. This means the thugs would just appear out of nowhere, as the viewer has no idea that they were in the scen until then. It would effectively push the film beyond “silly” and into the territory of “amateurisih.” As in, it would actually, legitimately suck. But it’s impossible for it to not be terrible, since we don’t have that establishing shot.

Unless I decide to go all non-linear on yo’ ass.

So, that’s what I’ve decided to do. The film will be completed in time for its previously alluded to May 8th upload date. It will start with a shot of the interrogator and end with a shot of Bright watching Clarisse leave. Everything in between will be in a completely different order. And it will be even more ridiciulous than I imagined.

The problem is that I don’t particularly love that idea. It’s not being done because I’m excited about the idea, nor that I think it will work very well, but that it’s pretty much the only way the footage we got would work correctly. Also, the entire cast would hate me forever if I decided not to finish the movie because I didn’t like it. Especially Shannon Mary Burgess, who would probably cut my testicles off with her fingernails.

Well, it’s certainly been a learning experience for me: I am much better at getting what I want from animation than from live action. Working with action-focused videography of live actors is not something I should do when I have to devote half my time to unrelated homework and classes.

Also tapes. I hate tapes, with their dropped frames and broken timecodes and gahhhh. I’m not shooting a scripted production again until I have a memory card video camera.

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Lazy Author Hates Cellphones For Making Derivative Clichés Implausible

New York Times columnist Matt Richtel whines in his latest editorial that setting fiction in the cellphone-and-Internet era makes coming up with good stories sooooo haaaaard:

Technology is rendering obsolete some classic narrative plot devices: missed connections, miscommunications, the inability to reach someone. Such gimmicks don’t pass the smell test when even the most remote destinations have wireless coverage.
[...]
I recently finished my second thriller, or so I thought. When I sent it to several fine writer friends, I received this feedback: the protagonist and his girlfriend can’t spend the whole book unable to get in touch with each other. Not in the cellphone era.

Oh, poor pitiful you, Mr. Richtel. Your entire toolbox of tired plot devices that have been done to death is ruined, forcing you to come up with new and interesting ideas. How awful. At this rate, TV producers won’t be able to have computers make sci-fi beeping noises when someone uses Photoshop. Soon you’ll have to write thrillers where characters die because their partner’s iPhone “fixed” an important “typo.” Or romantic comedies where a woman gets angry at her husband because he can’t explain what he was really doing last night with her best friend in 140 characters, minus her Twitter name. It would be terrible!

For the record, on the off chance that Mr. Richtel’s cubicle is five feet away from my mother’s, I don’t actually think he’s a lazy, whiny hack, and I’m just coming off that way to appeal to the Gawker readers. The column makes some interesting points and brings up some valid issues, though it doesn’t seem to discuss many solutions to them other than “blow up the cellphone tower.” In this day and age, where everyone is always connected, that’s the kind of plot device that people can’t relate to.

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