Author Archive for Zacqary Adam Green

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Chad Love-Liberman’s Art4Love is a Fraudulent Plagiarism Peddler

In case I haven’t made it clear over the years, I’m not a big fan of the copyright-lawsuit model of enforcing artists’ rights. When somebody decides to be a dick and exploit the free availability of culture in bad faith, I feel like it’s much better to try them in the court of public opinion than in a court of law. So let’s do that to Chad Love-Lieberman.

Art4Love.com seems to have been around since March 2010, according to the first tweet on its Twitter account. It’s a store claiming to sell hand-painted canvas art, founded by Love-Lieberman as some kind of social capitalism thing. I have no idea; it’s a press release.

Art4Love and the related MarkYourSpot.com appear to have been taken down as of this writing. So let’s Streisand Effect this shit.

Yesterday, Digger artist Ursula Vernon posted on her LiveJournal a link to an article about Love-Lieberman and his “artwork”. She found it odd that this piece was attributed to him:

'Naked Mole Rat Dreams' by Ursula Vernon

It is, of course, by Ursula Vernon. And all of the other pieces in the article are by other artists from around the Internet as well.

Unsurprisingly, as uncovered by Tumblr user Kittenball, Art4Love was similarly fraudulent.

Screenshot of Art4Love.com, captured by Daunt


This screenshot shows Art4Love allegedly selling “Honeycomb” by Julie Dillon. They claim that it’s “Liquid Oil on canvas”, and was painted in 2009.

'Honeycomb' by Julie Dillon


This seems odd, considering the fact that Dillon uploaded the piece to deviantART in 2010, under the category of “Digital Art”.

Hilariously, Art4Love was offering the “painting” with a Certificate of Authenticity.

Tumblr user Daunt has many more screenshots and videos related to Art4Love on her website. Many show more examples of misappropriated artwork, being sold as “original” for high prices.

It’s likely that Chad Love-Lieberman took down his network of websites because he doesn’t want this information getting out. This is precisely why it must. The threat of a copyright lawsuit does not protect the rights of artists to attribution and reputation; otherwise this never would have happened. The exposure of such exploitation on a massive scale is the best hope that artists have to be protected from it. Please, Internets: spread the fraud of Chad Love-Lieberman as far and wide as you can. Make his name synonymous with his crimes, so that anyone looking to commit such things in the future will think twice.

To the artists affected: don’t call this man an “art thief”. Art thieves are skilled, savvy professionals who bypass state-of-the-art museum security. Chad Love-Lieberman is just a plagiarist. And a dick.

    Is Representative Democracy Sustainable?


    My latest post for Falkvinge on Infopolicy, discussing whether a system in which people elect politicians to do stuff for them — rather than just doing it themselves — can really last.

    Unrest is brewing in republics worldwide. As nations are ravaged by socioeconomic crises, the people no longer feel served by their elected officials. Is this a temporary hiccup, or an inevitable result of traditional representative democracy?

    [...]
    Corporatocracy in the US and out-of-touch reactions to social inequality in Europe are just symptoms of the real problem. How did it get to this point? Why don’t the people stop things like this before they happen?

    Disconnection.

    Continue reading at Falkvinge on Infopolicy

      Speeding Up a Slow Mac with Ice Packs

      It was hot out. Our Macs weren’t quite able to cope. So we put ice packs on them.

        More People Means More Voices Means Better Ideas


        My latest post for Falkvinge on Infopolicy, about why even the most robotically sociopathic person should be for equal rights and opportunities for all human beings.

        Most people feel that it is their moral obligation to help those who can’t help themselves; we help others to have healthy, happy, productive lives out of a duty to our fellow human beings. I agree, but forget morals — helping our peers survive and thrive even makes cold, logical sense.

        Evolutionary biology and Darwinian theory might have you believe otherwise: the fit succeed and survive, the weak fail and perish, and by interfering with this process, we hold back the advancement of humanity. But the true evolution with which we need to be concerned is our new stage of evolution: ideological.

        Continue reading at Falkvinge on Infopolicy

          Dialogue For YFIAS Episode 2 is Done


          You see that picture? That’s the result of me not thinking ahead.

          See, today, Raye Gestwick — the voice of Leora in Your Face is a Saxophone — came to my bedroom recording studio to record her lines for Episode 2. Had I been thinking, I would have had the bright idea to take a photo of her actually standing at the microphone, delivering her lines. But I didn’t, so now all I have is the microphone stand still set up, the mixer still sitting on top of my laundry hamper, after she’d wrapped up and left.

          But anyway, now that we have Raye’s lines, Episode 2′s dialogue is completely recorded, and we’re now free to animate every single scene. Animation’s going a bit slower this week because Erica Frohnhoefer, my other animator, is out of town, but it’s still progressing.